“Aryanna’s choreography is sure, but open. Their precise theatricality leaves you out of breath, bent forward in your seat, wishing you were onstage, wishing you knew what the dancers did. Lurking in the long holds and muscular transitions is something secretive, persuasive and eventually explosive, reconfiguring not only your idea of what’s possible, but also what’s really happening. Like a poet, Allen’s tools are form and image. They take you somewhere you’ve never been.” –HG Gruebmeyer, Atlanta-based poet and collaborator